The cultural landscape of Ghent has just expanded with the official opening of THE GET, a striking new exhibition space conceived by renowned architect Glenn Sestig. Inaugurating the venue is La Rencontre du Troisième Type, a compelling exhibition that sets up an ambitious, cross-disciplinary dialogue between contemporary art, collectible design, and architecture.

The inaugural showcase brings together the distinct yet deeply resonant material practices of Belgian artist Bernard T. Sestig and the avant-garde artistic duo Middernacht & Alexander. Spanning across the newly minted architectural environment, the exhibition functions as an immersive ecosystem where raw, psychologically charged forms meet objects shaped by meticulous preservation and reinvention. At its core, the exhibition explores the heavy, evocative themes of transformation, memory, erosion, and emotional tension.

Rather than presenting isolated works, the layout curates an atmospheric encounter where the boundaries between sculpture and functional object blur. Bernard T. Sestig’s contributions bring an intense, psychological weight to the space, utilizing forms that feel both ancient and immediate, while Middernacht & Alexander counter and complement this energy with pieces born from processes of transformation, capturing a delicate balance between decay and structural resilience.

By launching with a collaboration that refuses to stay neatly within the lines of a single discipline, THE GET establishes its manifesto early. Glenn Sestig’s architectural vision provides a clean, deliberate framework that heightens the raw texture and emotional stakes of the pieces on display. For design enthusiasts and contemporary art followers alike, this opening marks the arrival of a vital new destination in Belgium’s art circuit—one that promises to keep challenging the intersection of form, function, and feeling.