Miguel Rózpide Pazó is a visual artist and ed-in-chief of OD Magazine
He was born on September 5, 1997 in Pontevedra, Spain.
He started his studies in Visual Arts at the Facultade de Belas Artes de Pontevedra, in his home country to then move in 2017 to Brussels, Belgium to study photography at Luca School of Arts as an exchange student in the Erasmus study program. He’s currently finishing his Bachelor in Photography at the Royal Academy of Fine Arts in Antwerp.
About Panacea – words by Miguel Rózpide Pazó:
Human connection brings complex values to our lives: relationships give us a sense of belonging in the group, a sense of identity in contrast to others in that group, an almost therapeutic-support system, and reason not to feel lonely. We learn from others’ experiences and insights, and we learn together by pursuing new experiences alongside those we befriend.
In existential circles it’s often said that no two people have ever sat in the same room. This is because our own unique life histories and genetic makeups color the way we perceive the world around us, so that the same objective data point is interpreted differently by me than it is by you. This is existential isolation in a nutshell, the fact that an insurmountable invisible barrier exists between each and every one of us, that no matter how close our physical proximity may be, a psychic distance remains in that you don’t have access to my subjective life experience, to my inner world, except insofar as I explain it to you, and I don’t have access to your subjective life experience, to your inner world except insofar as you explain it to me. And again my explanation will be interpreted by you based upon your own unique life history and genetic makeup and your explanation will be interpreted by me based upon my own unique life history and genetic makeup.
These insights can lead to an oppressive sense of loneliness but they don’t have to, and actually we want to make the case here that it’s our very existential isolation that acts as the impetus for us to reach out to people and the world, to move beyond our smallness in order to connect with and influence the entities around us in a meaningful way. If we were all exactly the same, all experienced the world in the same way, all had the exact same life histories and genetic makeups, there would be little reason to reach beyond ourselves.
The result would be a sort of comfortable complacency, a womblike state without anything pushing us or pulling us to move beyond ourselves. Panacea is trying to reach out to the people I know, my friends, and what surrounds them. I try to enter their own worlds that somehow we share but are very difficult to visualise, process and understand. This series recognises and honours continued individuality while building community, it allows differentness and sameness to exist side by side. This sort of connection allows both entities to be first accepted but also modified in small and big ways. Through this process of modification, people get to know each other in profoundly intimate ways, they fuse through shared experiences and through their commitment to seeing things from the other’s vantage point rather than forcing their own vantage points upon the other, and the result is that perhaps two people can sit in the same room after all.